![]() ![]() "Dancing 'Woman:' Perspectives on Gender in Isadora Duncan’s Dance," National Dance Education Organization Conference Proceedings 2014, pp. 27-32, 1988, ISBN 0 9515548 0 8.īrooker, Meg, Alice Bloch Andrea mantel Seidel Pattee Russell-Curry. "Isadora Duncan and the Swedish Children's Dance," Proceedings of Dance and the Child International, London, England, Volume 1, pp. In: American Journal of Dance Therapy, New York. 3 (Fall 1991): 85-96.īerger, Miriam Roskin: Isadora Duncan and the creative source of dance therapy. "The Duncans at Carnegie Hall." Ballet Review 19, no. "Social Cause as Dance, Enter Isadora." Ballet Review 22, no. ![]() Rutgers University, New Brunswick, NJ, October 16-17, 1992.īardsley, Kay. "Re-animations of Duncan Masterworks: Imbued with the Fire of Maria-Theresa Duncan-A Four-year Project, 1976-1980." In Proceedings of the Conference "Dance Reconstructed: Modern Dance Art Past, Present, Future," pp. "Isadora Duncan's First School, the First Generation Founders of the Tradition", Congress on Research in Dance Conference Proceedings 1979, pp. Eleventh Annual Conference, North Carolina School of the Arts, 12-14 February 1988.īardsley, Kay. "Isadora Duncan and the Russian Ballet." In Society of Dance History Scholars Proceedings, pp. "A Dancing 'Isadorable': Maria-Theresa." Dance Scope 11, no. "Unforgettable Isadora Duncan." Reader's Digest, September 1968.īardsley, Kay. "Isadora Duncan's Legacy", New York Times, January 18, 1989.Īrcher, Kenneth: Fracci dances Isadora Duncan in Italy. 3/T-103 (Fall 1984): 59-66.Īlbright, Ann Cooper: "Isadora Duncan (1877-1927)." Dance Heritage Coalition, 2012.Īmaya, Mario: The dance in art, 7: Isadora and the sculptor. "Reconstructing the Dances of Isadora Duncan." The Drama Review 28, no. "Woman Aflame: Isadora Duncan's True Story", True Story Magazine, Vol. ![]() "Recalling Isadora," Time, Art section, August 19, 1966, p. "Isadora's Art," The Literary Digest, May 1, 1915, pp. "Isadora Duncan and Her Context with Other Current Research in Dance History", Society of Dance History Scholars, Tenth Conference, University of California, Irvine, 13-15 February 1987, Schedule of Talks. "Isadora Duncan Today, Interview with Mignon Garland, founder of the Isadora Duncan Heritage Society," Wings Magazine, Vol. She perfromed in the New York production of Sleep No More."Duncan, Isadora: An essay", Dance news, New York, N.Y. Marks Church as well as being a Bessie committee member. She sits on the Artists Advisory board for Danspace Project at St. As a re-constructor of the works of Limón, she has worked with companies and dancers around the world including Nureyev and Friends, Frank Augustyn, Karen Kain, and the Pennsylvania Ballet. Her solo concert A Celebration of Dance featured repertory from Isadora Duncan and Doris Humphrey to contemporary choreographers Wally Cardona and Ann Carlson. She is the former principal dancer with the José Limón Dance Company, Bill Cratty Dance Theater, Annabelle Gamson, Anna Sokolow’s Player’s Project, Colin Connor, American Repertory Dance Company of Los Angeles and worked as guest artist with choreographers including Wally Cardona, Sean Curran, and Danzahoy of Caracas, Venezuela. As a solo artist, teacher, rehearsal coach, and director of the works of José Limón, she has toured the world performing and teaching extensively. She has been an active member of the dance community for more than 30 years. Risa Steinberg is the Associate Director of Dance at The Juilliard School in New York City.
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